liz-jensen-event

Book Talk – ‘Your Wild and Precious Life’

Join us for an evening where filmmaker and anthropologist Adam Paaske talks to Anglo-British novelist Liz Jensen about her memoir ‘Your Wild and Precious Life’, the story of how a mother rebuilt herself, reoriented her life and rediscovered the enchantment of the living world.

Liz Jensen’s son, a zoologist, conservationist and ecological activist, was twenty-five when he collapsed and died unexpectedly. She fell apart. As she grieved, forest fires raged, coral reefs deteriorated, CO2 emissions rose and fossil fuels burned. Adam Paaske will among other things talk to Liz Jensen about what her son Raphaël fought for as a political activist, how Liz Jensen experienced Raphaël’s untimely death and the surrounding world’s different ways of reacting, and why she believes that grief and environmental activism are connected.

Read More

My Son’s Ark

‘The future we expected has changed shape.’ For the third entry in our Kinship With Beasts series, we bring you a story originally written for our special issue ARK, in which Liz Jensen tells of staggering personal loss in the midst of the world’s cascading crises. A writer and founding member of Extinction Rebellion’s Writers Rebel, her book about her biologist and activist son, Your Wild and Precious Life, is launched today. With an image by Angela Cockayne from her series ‘Radical Fauna’.

Read More

arts-ecology-podcast

Hear Liz on the Arts and Ecology podcast

Arts & Ecology is a brand new podcast about the vital role art and culture play in creating a regenerative future.

This week, we speak with writer Liz Jensen. Liz is the author of eight novels including the eco-thrillers The Rapture and The Uninvited. She is a founder member of Extinction Rebellion’s Writers Rebel, a literary movement using words and actions to highlight the climate and ecological emergency. Her work has been short-listed for the Guardian Fiction Award, nominated three times for the Women’s Fiction prize, adapted for film, theatre and radio, and translated into twenty languages.

We talk to Liz about how our attitudes to climate change has changed since she wrote The Rapture, her conflicts and ideas around hope, what writers can do to respond to the ecological crisis, and her latest book about grief

liz-jensen-interview

Interview with Liz on the role of storytellers and the climate crisis

Liz was interviewed by Holly McElroy for Wales Art Review.

From the article, ‘As part of Wales Climate Week 2020, creatives and academics came together via zoom to discuss ‘the role of storytellers in shaping the narrative and communal imagination towards action and engagement with the climate crisis?’ In this article Holly McElroy explores the issues covered in the conference and interviews panellist Liz Jensen, author and founder of Extinction Rebellion Writers Rebel.’

Read the full interview here www.walesartsreview.org/storytellers-and-the-climate-crisis-with-liz-jensen

raphael-dancing

Grief in the time of Covid: some reflections on loss

raphael-dancing

What wisdom can you reach for when the unimaginable happens?

On 6th February my apparently healthy 25-year old son Raphaël collapsed and died. Every week, all over the world, thousands of young lives like his are snatched away by sudden cardiac failure.

Who knew?

Not me.

Before that, I was like most people. I never spent much time thinking about death.

I was aware that losing a child is the worst thing any parent can experience. But although I feared it, I never thought it would happen to me.

Now that my son is dead – and I can’t escape it the fact of it,  because I saw his body – I’m thrown into a new world that I must find a way to live in: a world in which my son’s heart no longer beats.

But I’m not alone. I never have been. There are grieving people everywhere: an invisible army of them.

And now, more and more, there are also those who are about to grieve. The corona pandemic will entail many brutal, too-early losses in every corner of the earth. In a few short weeks it has yanked death from the edge of our collective consciousness and set it centre-stage. Grief pushes you to the limits of who you are.

It tests you, and it tests everyone who knows you.

Here, from the front line of my own anguish, is what I’ve learned so far.

Grief’s a shape-shifter. It thumbs its nose at rules.

The psychiatrist and world-renowned doyenne of death Elisabeth Kubler-Ross wrote eloquently about the five stages of grief: denial, anger, bargaining, depression, and acceptance. But they aren’t really stages. They’re uninvited guests that materialize in random order at a party you never planned to hold. They mix, they bring their friends (they all seem to know this guy called guilt), and drift around depleting your resources. If you try to kick them out they just laugh. They’ll leave when they want and come back when it suits them.

Some of my gatecrashers are getting all too familiar. I’ve been intimately acquainted with denial from the moment I got the phone call and insisted: “No, no, no, no, no, it’s not true”. I’ve flirted with bargaining (Does Raphaël have to be dead every day?) and let depression lead me off to a corner for a little chat. Rage has made a few notable, flashy appearances. I don’t expect acceptance – the one guest I’d welcome – to arrive any time soon. But it’s welcome to surprise me.

I’ve been bereaved before, so I should remember how it goes. But this grief, all the crueler for its unexpectedness, is of a whole new order. Its surreality stunned me from the start. Which is perhaps why I often feel a disconcerting blankness for whole hours at a stretch. In the beginning, this numbness bothered me. Why wasn’t I in a puddle of tears on the floor 24 hours a day? Why could I still follow the news, and discuss current affairs? I felt like a faulty specimen of Grieving Motherhood.

The other blessing of denial: there are moments – sometimes hours – when I actually feel pretty OK; and think: well if this is what grief is like, I can handle it. I’ve stopped feeling freakish about these reprieves from my despair. It’s just my psyche, doing what it needs to. It knows my limits. So when I find myself laughing at one of the funny corona videos my cousin sends me as a daily greeting, and feel a nudge of guilt, I remind myself that grieving people need to laugh. They need to laugh more than anyone else. Uncontrollably.

They need to cry uncontrollably too, if their body requires it. There are many scientific theories about why we cry, but my own is that like laughter, crying releases pressure, which in turn brings relief. I’ve found it therapeutic. I dread my crying jags, but I feel better for them. As for Kubler-Ross’ anger phase, I haven’t (yet) felt rage at Raphaël for dying, or at myself or others for not protecting him. Perhaps since his death was both unforeseeable and unavoidable, I’ve had no cause to. I’ve even found solace in telling myself he was only ever going to have 25 years. And that on some level, his body knew it – which is why he achieved so much in the time he had. He lived his life meaningfully, and to the full. Framed like that, what could become anger becomes a kind of gratitude.

But I’m no stranger to rage. I’ve taken bitter enjoyment in listing all the other people who should have died instead of him, and I’ve lashed out at my husband (who else to, in lockdown?) – who to his credit takes it with equanimity and grace. It may seem churlish to mention this, given the tsunami of thoughtfulness, empathy and kindness that has come my way from friends, acquaintances and strangers in all corners of the world.

But as everyone bereaved will tell you, certain friends – and even family members – can shock you to the core.

I’m not talking about those who text you five crying emojis followed by a list of questions – offering nothing, yet blithely assuming you have the energy to enlighten them on your emotional status. Or those who feel free to judge your grief –  as if it’s theirs, not  yours. (To the person who says “If it was me, I’d never recover,” feel free to ask them how the fuck they think that’s helpful.) No – I’m talking about the hitherto close friend/co-worker/cousin who starts behaving weirdly. Who ghosts you, or backs off at high speed, “not wanting to intrude”, or announces that you’re impossible to deal with, so they’re steering clear – presumably, until you are “yourself again.” Your bereavement is terrifying to these people because on some level they see it as contagious. My sorrowful tip here is this: since you probably have enough magical thinking of your own, spare yourself theirs. You may be sad to lose them, but you are not a beggar.

You will perform other forms of triage. You will reject the conversations, Zoom meetings, and plans for future get-togethers that are part of hygge in the age of Covid, and beyond. Since small talk is an early casualty of grief, much social interaction comes to feel like an irrelevant, pointless waste of time. There will be a long list of things you can no longer be arsed to do. My tip here: Enjoy the freedom.

But cherish those who bring practical or other help – meals, company, poems, shelter, books, jokes, or nuggets of wisdom: those who share what they have learned from their own losses, who keep gently and discreetly checking in on you, but who understand you may not always have the energy to answer. Some of the most generous, sensitive emails I’ve received since Raphaël’s death have been the ones that began, “No need to reply”. Even if you weren’t that close before, these are the people you need, and who you’ll call on, and who’ll be there for you.

Some years ago, a woman I’d met on several occasions lost her son to suicide. I donated to the fund for the funeral costs. But I didn’t write to her because (I argued to myself) we weren’t actual friends, so why clutter her inbox? Worse, the next time I saw her, a year later, I didn’t mention her son’s death because I couldn’t think what to say. Now, I cringe with shame that I didn’t acknowledge her grief. The more so because after Raphaël died, she sent me a short and very moving mail, with a generosity that flooded my heart.

So if you know somebody who has lost a loved one, don’t be the person I was. Words – just about any words – are better than silence. Refusing to offer comfort compounds the pain.

So now, slowly, I’m working through by inbox and thanking those who made the effort to get in touch, because they didn’t have to, and all of them – including those who’ve lost a child – will have struggled to find the right words. There are, of course, no “right words”. This clusterfuck is beyond language. Which is precisely why I’m so grateful they tried to imagine how I’m feeling, even if all they say is “I can’t imagine how what it must be like.” (Side-note: people say this to you a lot, when you have lost a child. My answer so far has been “I can’t imagine it either.” Because I can’t.)

Meanwhile do yourself a favour and concoct and memorize an elegant response to the question “How are you?” Because people will keep asking it. Since it’s a standard form of greeting, they have no idea how such an apparently innocent question can floor you. Or how exhausting it is for you to tell them you are not actually “fine”. And why. So if you know someone who has suffered a recent loss, don’t throw that bomb in their direction. “How has this week/today/the last hour been for you, so far?” is a good alternative. If someone asks me that, they’ll get a coherent answer.

But the most important thing I have learned since getting that life-altering phone call on February 6th is this.

Just because your loved one is dead, it doesn’t mean they’re not alive.

Keep it that way. Continue to engage with them. Talk about them, share memories, photos, videos, funny stories, things they’ve written. Include them in your daily life by imagining their reaction to new developments in the world.

In this era of coronavirus, I do this daily. Raphaël was a wildlife biologist and climate activist who campaigned passionately for the protection of other species and their habitats. At the time of his death, he and other members of Extinction Rebellion were awaiting trial for vandalizing the Brazilian embassy in London, in protest at Jair Bolsonaro’s trashing of the Amazon. If my son were alive today, I know he’d see Covid 19 – which arose from the human appropriation of wild spaces – as a vital wake-up call. And he’d be energetically speculating how best to frame this moment as an essential paradigm shift: an opportunity for radically re-framing our relationship to the wild. I’m proud of the astonishing amount he achieved in such a short life. But I also allow myself to be proud of everything that those he inspired will go on to do, with his spirit in mind. In keeping him vividly alive inside us, my son – and his mission – will always have a voice.

Lastly, I find that private rituals provide enormous solace. Every day I lie on the sofa in front of a small wooden box containing Raphaël’s ashes and I conjure his presence. I know it’s going to hurt but it’s a way of spending time with him.

Quality time? Yes, in the absence of any other kind of time I can spend with him, let’s call it that.

I listen to the song we played at his cremation. I look at photos or videos of him. I hold his baby-blanket, or stroke a lock of the beautiful long red hair that he cut short days before he died. I smell the cake of Lush shampoo he gave me.

Sometimes we have a little conversation. Sometimes I just put my arms around myself and feel his hug, and hear him saying Mama.

And I say baby.

And I cry.

Will it get better? I don’t know. Ask me on my deathbed.

I know it has to. But I don’t just hope it will. I commit to it.

Because there is power in commitment. Commitment, when active, has a force like no other. It changes worlds.

Every day, my son tells me that.

And every day, I listen.


Like No-One’s Watching” – performed, filmed and edited by Raphaël Coleman a.k.a Iggy Fox.

feat-writers-rebel

Writers Rebel is born

On 11th October, the new campaigning group XR Writers Rebel held its first event in Trafalgar Square as part of Extinction Rebellion’s October Uprising 

For news and updates, follow Writers Rebel @XrRebel on Twitter, and our Facebook page 


Short film by Simon Spence

How many literary event organisers learn, at three hours notice, that their stage and their PA system have been stolen? By the police?

The launch of Writers Rebel in the middle of an Extinction Rebellion protest in central London was always going to be the oddest, wildest, most chaotic gig any of us had been to, let alone coordinated.

Not that any of us have coordinated one before.

writers-rebel-trafalgar-square-police

But here we are in Trafalgar Square during Extinction Rebellion’s 2019 October Uprising, a seven-strong posse of novelists, poets, screenwriters and film-makers who are also variously academics, Buddhists, podcasters, book reviewers and PR execs, learning to be activist-impresarios on the hoof. Two of us are parents of young XR arrestees awaiting trial. One of us lives four months a year off-grid. Another of us grew up in an eco-activist household. One of us has a brother whose home and life were wrecked by flood. We are from Trinidad, London, Australia, Scotland, Mexico and Denmark. None of us eats meat. It’s quite the Venn diagram. Not that we’ve had time to draw it: we’re too stressing about what might go wrong.

Conjuring a four-hour marathon of five-minute performances – outdoors, in October, in the middle of an illegal protest – suddenly seems like a lunatic plan. We cooked this thing up only six weeks ago and we still barely know each other. Writers aren’t natural joiners and we’re no exception. But now here we are on the brink of staging something huge, at the heart of something even huger, to fight for the hugest thing of all: the future of the Earth.

writers-rebellion-trafalgar-square

Even though many writers, publishers, agents and readers have leaped to support us, we’ve been detecting a look on their faces that expresses the thing we most fear ourselves: that our enterprise is doomed to fail – not just in the common-or-garden “that wasn’t such a hot gig” way, but in a way so abominable and grotesque that it will haunt us for the rest of our literary careers.

Naomi Alderman, Irenosen Okojie, Ali Smith, Susie Orbach and Robert MacFarlane are coming. AL Kennedy and Simon McBurnley have agreed to compere. Margaret Atwood and Amanda Palmer and our unofficial patron saint Amitav Ghosh have sent messages of support. Zadie Smith has recorded a beautiful piece for us to put out on social media. There’s a rumour that Neil Gaiman and Stephen Fry are rocking up.

It’s 2pm, we start at 5, and we still don’t have a stage or a sound system. One of us knows someone whose gazebo might be free, so while the rest of us assemble flags and placards and tick names off a clip-board, she scrambles to make it happen.

We’ve promised a bunch of major writers there’s almost no chance they’ll be arrested, because silencing writers is never a good PR move, but with Boris Johnson as Britain’s new, rogue Prime Minister, what do we know? We now have a loaned gazebo and a sound system but no backup plan if the cops kick us out because despite noises of goodwill from many a large institution supportive of literature – including some who have declared their own climate emergency – when push came to shove, they’ve all said no.

Jessica-Townsend-writers-rebel

Screenwriter Jessica Townsend from the Writers Rebel team

It’s 4.30 pm and we’re supposed to start at 5. Heavy rain is forecast. One of us is roaming the Square accosting tall strangers and begging them to help tie our Writers Rebel banner to the roof of the gazebo. (Where else but at an Extinction Rebellion uprising would a couple on stilts materialize to save the day?) Our timings are already tight – five minutes each, twelve writers an hour – but when our fellow activist Natasha Walter, who has just come out of a police cell, offers to read, how can we say no?

And then it’s upon us. We each say a few words about why we’re here – hurricanes intensifying in the Caribbean, the need for writers to get off their backsides once in a while, the impossibility of doing nothing – and the next thing we know, it’s underway. Literary types are not unknown for their egos but if our performers have them, they’ve parked them at the door. Not that there is a door – unless you count the entrance to the Waterstones bookshop where the entire pop-up is forced to decamp in Hour Three, after the rain tips down so Biblically that Simon Schama risks being electrocuted in full flow.

And so it comes to pass that for four and a half hours, writers including Ali Smith, Naomi Alderman, Philip Hoare, Susie Orbach, Owen Sheers, AL Kennedy, Robert McFarlane, Leone Ross, Dajlit Nagra, and Salena Godden mesmerize an audience of up to a thousand people (a couple of hundred of them police) with passionate, elegiac and heartbreaking works of poetry, fiction and prose.

Novelist and Writers Rebel team-member Chloe Aridjis addressing the audience in Trafalgar Square

Among the high points: Robert Macfarlane reading a poem by the young indigenous poets Kathy Jetnil-Kijiner from Greenland and Aka Niviana from the Marshall Islands; Ali Smith urging everyone to break into a song of ‘One Planet Earth’ to the tune of Cuba’s most patriotic song, Guantanamera; Philip Hoare reproducing the clicking noises made by whales; Salena Godden’s written-for-the-day eco rant which she then balled up and threw into the crowd, and the ingenuity, charisma and generosity of our comperes, Simon McBurney from the Theatre de Complicité and the novelist and stand-up comic A.L Kennedy.

It happened. And it worked. Not only that, but the evening turned out to be the most authentic, the most heartfelt, and – yes, we might just go to our graves saying this – the most fun occasion we’d had in our combined hundred-plus years in the writing business.

We aren’t alone in thinking that. Most of the writers who participated felt it too: that exhilarating buzz of feeling vital, alive, active – and part of something so much bigger and more important than ourselves. Which makes us all glad that we persisted, though all those Zoom meetings, through those fierce arguments and emoji-littered What’s App exchanges, through all those phone calls and emails, through all that shuffling of names on corkboards in Copenhagen and London and Manchester, while Brexit whirled in the background like a great tornado we were determined to ignore.

writers-rebel-trafalgar-square

The Hay-on-Wye Festival it was not

Three years ago Amitav Ghosh published The Great Derangement, in which he claimed that literature was failing to rise to the occasion of the climate emergency. It was a failure of the imagination, of art, of culture itself. That made a few of us angry – not because he was wrong, but because he was right. What he wrote haunted us. We had so little time left. Could writers really make a difference?

Maybe not. But we could try.

We did talk about that, a lot, when we first came together: it was the one thing that united us, apart from our natural attraction to the tactics (and results) of Extinction Rebellion, a movement less than a year old which, like Fridays for Future, is already not just changing but dictating the conversation.

All of us at Writers Rebel believe that literature can play an important role in the ongoing emergency, and we cherish our place in the urgent, beautiful, burgeoning grassroots movement that is Extinction Rebellion. In embracing their spirit of improvisation and their creative flexibility we ended up with a joyous, chaotic marathon literature festival in the heart of Britain’s capital city: a literary gig in the midst of a rebellion. We feel proud.

So what next?

October 11th was never intended to be a one-off event. In the planning stages, the enthusiastic response we had from writers, readers, booksellers, agents and publishers told us there was a vast appetite for more. Extinction Rebellion, Greta Thunberg and Fridays for Future have mobilized more people in a few short months than any green campaign group movements have ever done before, despite decades of tireless campaigning. We felt the warmth of the goodwill around the name XR, and it really began to feel that a sea-change was under way. That the literary community was ready to become deeply and irreversibly involved – and finally prove The Great Derangement wrong.

Naomi-Ishiguro-writers-rebel

Our youngest performer, writer Naomi Ishiguro

That said, we are very aware that many writers have been campaigning on green issues for a long time, and we failed to invite everyone we should have done. Our next step is to build a database of fiction and non-fiction writers, poets and screenwriters. And thanks to Amitav Ghosh and others, an XR Writers Rebel group is already hatching in New York. We hope there will soon be others too, and we’ll do our best to encourage and facilitate them. We plan to set up a permanent website featuring an events schedule, blogs, a fiction, poetry and non-fiction reading list, and a “Grow Your Own Writers Rebel Group” page.

Writers have often been at the forefront of social change. We are at a critical moment and we need more voices than ever before. There is no cause more urgent and no greater existential threat that the climate and ecological disaster we now face. It affects every living being on the planet.

writers-rebel

At its height, the event attracted an audience of 1,000 – including about 200 police. You’re welcome, officers!

We speak as writers. But most of all we speak as members of the species that collectively caused this disaster – and can still avert its worst outcomes.

As the great Petra Kelly, co-founder of the German Green Party, said of the challenges facing this century, “If we don’t do the impossible, we shall be faced with the unthinkable.”

XR Writers Rebel UK are: Liz Jensen, Monique Roffey, James Miller, Cath Drake, Roc Sandford, Jessica Townsend and Chloe Aridjis.

More here. www.perspectivainsideout.com/2019/10/08/writers-rebel/

Tom-Bullough-writers-rebel

Fresh from a police cell, Tom Bullough spoke movingly about his commitment to the XR cause. Not a dry eye in the house.

Naomi-Alderman-writers-rebel

Naomi Alderman wowing the crowd

Margaret-Atwood

Writers Rebel supporter Margaret Atwood popped into the Extinction Rebellion podcast studio for an interview – just before sharing the Booker Prize with Bernadine Evaristo.

 

matt-thorne-writers-rebel

Liz Jensen thanking the brilliant Matt Thorne

Listen to the event on Soundcloud.

For news and updates, follow Writers Rebel @XrRebel on Twitter, and our Facebook page 

writers-rebellion

Extinction Rebellion’s October Uprising

writers-rebellion
Liz is co-organising a ground-breaking literary event in London as part of Extinction Rebellion’s October Uprising… watch this space.
#WritersRebel
lizard liz

Who knew that Liz was short for Lizard?

Interview with Liz on The Drax Files radio show. The interview begins at the three minute mark.

2 Nov Peake Under the Covers

Peake Under the Covers: The Master of Gormenghast

A celebration with special guests Neil Gaiman, Liz Jensen and Chris Riddell

2 Nov Peake Under the Covers

Mervyn Peake, who died 50 years ago this month, was a prolific and astonishingly original writer and artist. Best known today for creating the tangled world of Gormenghast he was also an accomplished painter, playwright, illustrator and poet. This celebration of his life and work includes contributions by writer Neil Gaiman, currently adapting Gormenghast for the screen, author Liz Jensen, and illustrator and writer Chris Riddell. With readings by Miranda Richardson.

The British Library is home to the Peake Archive.

With thanks to Clare Penate and Fabian Peake.

Image: Prunesquallors from Gormenghast courtesy of the Mervyn Peake Estate

Read more here on the British Library website.